
The Early Moderns
Redeem your Flex Pass Voucher(s) for This Concert
The brilliant American ensemble Quicksilver — “Revered like rock stars within the early music scene” (New York Times) — performs a program of music from the mid-17th century, when the modern world was emerging in Europe and composers were writing revolutionary works that cast of the conventions of the Renaissance and brought a dramatic and virtuosic approach to instrumental music.
The program features the sonatas of composers including Schmeltzer, Kerll, Rosenmüller, Buxtehude and Weichlein.
Music had a cultural revolution in the seventeenth century: it suddenly became modern. This “new music” of dramatic oppositions and vivid emotions found its voice in a new form, the sonata, a pure instrumental work with no agenda but the imagination of the composer – and no standard form but the passionate give-and-take of friends in conversation.
Quicksilver’s concert is a celebration of this new style, bringing to life the extravagant and sumptuous sonatas which were created first by virtuoso instrumental composers in Italy, and then taken up in Germany.
Program:
PROGRAM
Sonata no. 9 à 4 Matthias Weckmann (1616–1674)
Ciacona Nicolaus à Kempis (c.1600–1676)
from Ludwig Partiturbuch, 1662
Sonata cinque a tre Philippe van Wichel (1614–1675)
from Fascilus dulcedinis, Opusculum Primum, 1678
Sonata no. 5 à 3 Carolus Hacquart (c.1640–1686)
from Harmonia Parnassia Sonatarum, 1686
Sonata no. 2 à 4 Matthias Weckmann (1616–1674)
Sonata à 4 in G Major, La Carolietta Johann Schmeltzer (c.1623–1680)
from Kromeriz, 1669
— intermission —
Sonata decima à 3 Dario Castello (1602–1631)
from Sonate Concertate in Stil Moderno, Libro II, 1629
Sonata à 4 in D minor Johann Rosenmuller (1619–1684)
from Sonate a 2. 3. 4. e 5. Stromenti da arco & altri, 1682
Praeludium in G minor, BuxWV 163 Dieterich Buxtehude (1637–1707)
Sonata à 2 in F major Johann Kaspar Kerll (1627–1693)
from Codex Rost, c.1660
Sonata decimaquarta Dario Castello (1602–1631)
from Sonate Concertate in Stil Moderno, Libro II, Venice 1629