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DTSTART;TZID=America/Vancouver:20260314T193000
DTEND;TZID=America/Vancouver:20260314T210000
DTSTAMP:20260427T072031
CREATED:20250603T192255Z
LAST-MODIFIED:20260305T034456Z
UID:8838-1773516600-1773522000@earlymusicsocietyoftheislands.ca
SUMMARY:Ensemble Caprice (CANADA)
DESCRIPTION:Vivaldi on Fire \nBack by popular demand\, Ensemble Caprice\, under the direction of dynamic Artistic Director Matthias Maute\, returns to Victoria. \nA whirlwind of fiery passion and dazzling virtuosity\, Vivaldi on Fire sets the stage ablaze with music by Antonio Vivaldi and vibrant\, anonymous works from the Eastern European Uhrovska zbierka collection (1730). \nEnsemble Caprice’s signature energy brings to life Vivaldi’s double recorder concerto RV 535 and the dramatic motet In furore iustissimae irae\, showcasing both instrumental brilliance and vocal intensity. The beloved La Follia sonata radiates wild invention\, while rarely heard cantatas offer moments of intimacy and elegance. Interwoven throughout the program\, spirited dances and preludes from the Uhrovska zbierka evoke a nomadic soundscape—raw\, rhythmic\, and irresistible. This unique dialogue between Baroque Italy and the folk traditions of Eastern Europe invites listeners into a musical journey of contrasts and connections\, where refinement meets rustic fire. \nBuy Tickets \nRedeem your Membership Voucher(s) for This Concert \nListen to an interview with Matthias Maute\, Musical Director of Ensemble Caprice: \n\nListen to Ensemble Caprice: \n\n  \n 
URL:https://earlymusicsocietyoftheislands.ca/concert/ensemble-caprice/
LOCATION:First Church of Christ\, Scientist\, 1205 Pandora Avenue\, Victoria\, BC\, V8V 3R3\, Canada
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DTSTART;TZID=America/Vancouver:20260417T180000
DTEND;TZID=America/Vancouver:20260417T213000
DTSTAMP:20260427T072031
CREATED:20250603T210824Z
LAST-MODIFIED:20260406T183127Z
UID:8927-1776448800-1776461400@earlymusicsocietyoftheislands.ca
SUMMARY:ARTEK Early Music
DESCRIPTION:SPECIAL EVENT \nArtemisia – Light and Shadow \nTwo nights: Friday\, April 17\, 2026 and Saturday\, April 18\, 2026 \nBuy tickets \nWith the success of our opera and dinner production last September\, we will once again be presenting a staged production with dinner at the Leonardo da Vinci Centre. \nARTEK presents an account\, in drama and music\, of the life of 17th-century painter and feminist heroine Artemisia Gentileschi. \nA life more dramatic than an Italian opera: trained in art by her father\, sexually assaulted as a teenager\, Artemisia survived a sensational trial to become an internationally renowned painter\, and the secret lover of a Florentine nobleman. \nSarah Chalfy Frei as Artemisia Gentileschi \nHarpsichord: Gwendolyn Toth \nSarah Chalfy Frei  portrays Artemisia\, applying her impressive talents and experience in music and theatre to the role. Ms. Frei did her MM studies at Manhattan School of Music and her BM at the Peabody Conservatory. She was a fellow at the Tanglewood Music Center\, the Universität Mozarteum Sommerakademie\, and the Académie internationale d’été de Nice. She studied acting/Meisner technique at the T. Schreiber Studio\, and musical theater with Paul Gemignani and Carolyn Marlow. She is recipient of numerous awards\, including top prizes in the Lotte Lenya\, Rosa Ponselle\, Canticum Dominum\, and Bach Society of Baltimore competitions\, and study grants to the Universität Mozarteum Salzburg and the Académie internationale d’été de Nice.  \nMs. Frei is a keen collaborator with living artists in developing new works. Recent premieres include Bruce Odland and Sam Auinger’s Requiem for Fossil Fuels in a rare live performance at the Galerius Rotunda in Thessaloniki\, Greece; the title role in ADA\, Kim D. Sherman’s opera about Ada Lovelace Byron; Nellie Bly in David Friedman/Peter Kellogg’s musical Stunt Girl; and many others. With ARTEK\, she created the role of Artemisia in Artemisia: Light and Shadow\, and Ariadne in Let Me Die. She performs solo cabaret shows across the Eastern seaboard\, and has released a solo album\, Love.Sex.Death: A Cabaret. Most recently\, she performed at BAM as Madeleine X in Richard Foreman’s acclaimed avant-garde show What to Wear\, reprising the role she performed for the Los Angeles world premiere in 2006. \n Recognized as one of America’s leading early music performers\, Gwendolyn Toth is a conductor and early keyboard artist based in New York City. “Her interpretive skills are sensitive and intelligent\, and she clearly has a gift for program conceptualization.” (The New York Times). She has conducted at Sadler’s Wells Theater in London\, BAM in New York City\, Skylight Theater in Milwaukee\, Astoria Music Festival in Oregon\, Carmel Bach Festival in California\, Washington Bach Consort in Washington DC\, and for the German Radio network in Cologne\, Germany. Opera News has honored Ms. Toth as an “Outstanding Young Conductor” and she was the recipient of the Newell Jenkins Prize for excellence in early music performance. Ms. Toth is the Artistic Director of ARTEK Early Music\, which\, like EMSI is in its 41st season of producing and presenting early music. \n  \n\nLearn more about Artemisia and her art\nOn April 11\, we will be hosting a talk on the impact and significance of Artemisia’s art and how her life story informed her paintings. The talk is being presented by Vithória Konzen Dill\, a PhD researcher in Art History at the University of Victoria\, whose research focuses on Baroque Italian art – with a particular focus on women artists\, including Artemisia Gentileschi.  \nThe talk will be held at 2pm on April 11 at the University of Victoria MacLauren Building\, Room D288 \nTickets for this talk
URL:https://earlymusicsocietyoftheislands.ca/concert/artek-early-music/
LOCATION:Leonardo Da Vinci Centre\, 195 Bay Street\, Victoria\, British Columbia\, V9A 3K4\, Canada
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DTSTART;TZID=America/Vancouver:20260418T180000
DTEND;TZID=America/Vancouver:20260418T213000
DTSTAMP:20260427T072031
CREATED:20250606T175849Z
LAST-MODIFIED:20260406T183011Z
UID:8974-1776535200-1776547800@earlymusicsocietyoftheislands.ca
SUMMARY:ARTEK Early Music
DESCRIPTION:SPECIAL EVENT \nArtemisia – Light and Shadow \nTwo nights: Friday\, April 17\, 2026 and Saturday\, April 18\, 2026 \nBuy tickets \nWith the success of our opera and dinner production last September\, we will once again be presenting a staged production with dinner at the Leonardo da Vinci Centre. \nARTEK presents an account\, in drama and music\, of the life of 17th-century painter and feminist heroine Artemisia Gentileschi. \nA life more dramatic than an Italian opera: trained in art by her father\, sexually assaulted as a teenager\, Artemisia survived a sensational trial to become an internationally renowned painter\, and the secret lover of a Florentine nobleman. \nSarah Chalfy Frei as Artemisia Gentileschi \nHarpsichord: Gwendolyn Toth \nSarah Chalfy Frei  portrays Artemisia\, applying her impressive talents and experience in music and theatre to the role. Ms. Frei did her MM studies at Manhattan School of Music and her BM at the Peabody Conservatory. She was a fellow at the Tanglewood Music Center\, the Universität Mozarteum Sommerakademie\, and the Académie internationale d’été de Nice. She studied acting/Meisner technique at the T. Schreiber Studio\, and musical theater with Paul Gemignani and Carolyn Marlow. She is recipient of numerous awards\, including top prizes in the Lotte Lenya\, Rosa Ponselle\, Canticum Dominum\, and Bach Society of Baltimore competitions\, and study grants to the Universität Mozarteum Salzburg and the Académie internationale d’été de Nice.  \nMs. Frei is a keen collaborator with living artists in developing new works. Recent premieres include Bruce Odland and Sam Auinger’s Requiem for Fossil Fuels in a rare live performance at the Galerius Rotunda in Thessaloniki\, Greece; the title role in ADA\, Kim D. Sherman’s opera about Ada Lovelace Byron; Nellie Bly in David Friedman/Peter Kellogg’s musical Stunt Girl; and many others. With ARTEK\, she created the role of Artemisia in Artemisia: Light and Shadow\, and Ariadne in Let Me Die. She performs solo cabaret shows across the Eastern seaboard\, and has released a solo album\, Love.Sex.Death: A Cabaret. Most recently\, she performed at BAM as Madeleine X in Richard Foreman’s acclaimed avant-garde show What to Wear\, reprising the role she performed for the Los Angeles world premiere in 2006. \n Recognized as one of America’s leading early music performers\, Gwendolyn Toth is a conductor and early keyboard artist based in New York City. “Her interpretive skills are sensitive and intelligent\, and she clearly has a gift for program conceptualization.” (The New York Times). She has conducted at Sadler’s Wells Theater in London\, BAM in New York City\, Skylight Theater in Milwaukee\, Astoria Music Festival in Oregon\, Carmel Bach Festival in California\, Washington Bach Consort in Washington DC\, and for the German Radio network in Cologne\, Germany. Opera News has honored Ms. Toth as an “Outstanding Young Conductor” and she was the recipient of the Newell Jenkins Prize for excellence in early music performance. Ms. Toth is the Artistic Director of ARTEK Early Music\, which\, like EMSI is in its 41st season of producing and presenting early music. \n  \n\nLearn more about Artemisia and her art\nOn April 11\, we will be hosting a talk on the impact and significance of Artemisia’s art and how her life story informed her paintings. The talk is being presented by Vithória Konzen Dill\, a PhD researcher in Art History at the University of Victoria\, whose research focuses on Baroque Italian art – with a particular focus on women artists\, including Artemisia Gentileschi.  \nThe talk will be held at 2pm on April 11 at the University of Victoria MacLauren Building\, Room D288 \nTickets for this talk
URL:https://earlymusicsocietyoftheislands.ca/concert/artek-early-music-2/
LOCATION:Leonardo Da Vinci Centre\, 195 Bay Street\, Victoria\, British Columbia\, V9A 3K4\, Canada
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