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X-WR-CALDESC:Events for Early Music Society of the Islands
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DTSTART;TZID=America/Vancouver:20240127T193000
DTEND;TZID=America/Vancouver:20240127T210000
DTSTAMP:20260502T065652
CREATED:20230622T204557Z
LAST-MODIFIED:20240123T224017Z
UID:7607-1706383800-1706389200@earlymusicsocietyoftheislands.ca
SUMMARY:The Baltimore Consort (USA)
DESCRIPTION:In Angel’s Wede: Music For Mary Queen of Scots \nTickets on sale now.\n \nA brand-new program by a perennially favourite ensemble of EMSI audiences. \nMusic from Scotland\, France\, England and Italy with a captivating narration by Emmy Award winner (and television and radio personality) Robert Aubry Davis. \nThe short life of Mary Queen of Scots (1542–1587) was the stuff of great drama. Why has this sixteenth-century Scottish queen captivated us for centuries? The layers of romance\, deceit\, political maneuvering\, and the long Catholic and Protestant feud are all told in Mary’s tale. \n  \nProgram: \nPrelude\nThe gowans are gay –  John Forbes\, Songs and Fancies\, 1662\nAdew Dundee – Skene MS c. 1630–33 \nYouth in France\nReading: Fair flower of fifteen springs (Ronsard)\nC’est moys de May – Clément Janequin (1485–1558)\nQueen’s Pavane and Gaillarde – Estienne du Tertre\, VIIme livre de danceries\, 1557\nJ’ay suis desheritée – Pierre Cadéac\, Quart livre …chansons nouvelles\, 1540\nBranles d’escosse – Estienne du Tertre \nReading: Dancing is practiced to reveal whether lovers are in good health… (Arbeau)\nA suite of branles – Thoinet Arbeau\, Orchésographie\, 1589 \nReading: Ronsard\, if your good\, gentle-natured heart (Mary)\nMignonne allons voir si la rose – Ronsard\, pub. Jehan Chardavoine\, Voix de ville\, 1576\nGaillarde d’escosse – Pierre Phalèse\, Liber primus leviorum carminum\, 1572\nBransle d’escosse – Estienne du Tertre\nMa petite colombelle – Ronsard\, Jehan Chardavoine\, Voix de ville\, 1576 \nIntermission \nBack home in Scotland\nLady Cassilles Lilt – Anonymous\nAlace\, I ly alon – Anon. Skene MS\nWhat mightie motion Anon. – Thomas Wode’s Partbooks c.1562-1590\nReading: For who can denie… (John Knox)\nOur Father God celestiall – Pierre Cadéac (fl.1538–1558) \nLutenist\, David Riccio\, The Pope’s “spy”\nLa Spagna – Francesco da Milano (1497–1543)\nMorir non può il mio core – Maddalena Casulana (1544–1590)\nFantasia No. 34 – Francesco da Milano \n Imprisonment and Execution in England\nReading: O Lord my God\, receive my prayer (Mary)\nIn Angel’s Wede – William Byrd (ca.1540–1623)\nReading: Alive a Queen\, now dead I am a Saint (Robert Southwell)\nA Scot’s Tune – Jane Pickeringe Lute Book\, ca.1617\nGreen grows the rashes – Anon.\, Balcarres Lute Book 1692–94 \n  \nMusicians:\nMary Ann Ballard\, viols\nMark Cudek\, cittern\, bass viol\nLarry Lipkis\, viols\, recorders\nRonn McFarlane\, lute\nMindy Rosenfeld\, winds\nDanielle Svonavec\, soprano\nwith Robert Aubry Davis\, narrator\n \n 
URL:https://earlymusicsocietyoftheislands.ca/concert/the-baltimore-consort/
LOCATION:St. Andrew’s Presbyterian Church\, 924 Douglas St\, Victoria\, British Columbia\, V8W 1C1\, Canada
ATTACH;FMTTYPE=image/jpeg:https://earlymusicsocietyoftheislands.ca/wp-content/uploads/2019/05/Baltimore-Consort-Windows-e1558981536373.jpeg
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DTSTART;TZID=America/Vancouver:20240128T090000
DTEND;TZID=America/Vancouver:20240128T170000
DTSTAMP:20260502T065652
CREATED:20231228T214036Z
LAST-MODIFIED:20240117T234923Z
UID:7847-1706432400-1706461200@earlymusicsocietyoftheislands.ca
SUMMARY:Workshop with Baltimore Consort
DESCRIPTION:EMSI presents a full-day workshop with the renowned Baltimore Consort! \nThe workshop will take place on Sunday\, January 28\, 2024\, and will be divided into two sections: \n\nTwo morning sessions in the form of lecture demonstrations by the artists. The morning session is FREE and all are welcome to attend. Take advantage of this opportunity to get to know these celebrated artists and learn about their craft.\nTwo participatory sessions in the afternoon for instrumentalists and singers\, broken out into recorder\, plucked strings\, bowed strings and voice.\n\nThe cost for participating in the afternoon sessions: $60 (includes lunch). If you wish to come for the afternoon only\, please sign up for the full day. When you register\, you will be asked if you plan on attending the morning session. \nREGISTER FOR FREE MORNING SESSION \nREGISTER FOR FULL DAY WORKSHOP \nThe morning session will look at how the musicians approach their repertoire and put together their unique arrangements. Learn about the instruments they use and how they take advantage of the instruments’ different sounds and technical capabilities. You don’t need to sing or play an instrument to get a lot out of these morning sessions\, and they are FREE for anyone to attend. \nThe afternoon sessions will cover some or all of the following: \n\nScottish and French music from the time of Mary\, Queen of Scots for recorders\nBallads based on English Country dances in SATB settings–open to all instruments and singers\nAn introduction to ornamentation/improvisation for instrumentalists and singers\n“The Secret Music at Tordesillas”: secular music of Renaissance Spain\nLute masterclass\nLute song class for lute players and singers\nIntroduction to the Renaissance flute (hands-on opportunity to try one of EMSI’s new consort of Renaissance flutes)\nVoice masterclass/choral read-through\nViol technique class focused on playing and deconstructing fun etudes and tunes.\nClassic English viol consorts for between 3 and 6 players; music by Gibbons\, Coprario\, Jenkins or Whyte\n 
URL:https://earlymusicsocietyoftheislands.ca/concert/workshop-with-baltimore-consort/
LOCATION:First Metropolitan United Church\, 932 Balmoral Road\, Victoria\, BC\, V8T 1A8\, Canada
ATTACH;FMTTYPE=image/jpeg:https://earlymusicsocietyoftheislands.ca/wp-content/uploads/2023/12/Group-for-workshop-event2.jpg
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